Handstand Mechanics
INVERSION
HANDSTAND MECHANICS
Stability, strength, and coordination come together in the pursuit of mastering handstand mechanics. One of the most critical foundations is internal rotation at the hip joints, which can aid with certain entries and sustained holds. Matt reminds us that understanding the role of the pelvis is key. Inverting means flipping biomechanics upside down. Just as we relax our shoulders downward when standing, in a handstand we lift them toward the ears, activating upward rotation of the scapula. That means the bottom tips of the shoulder blades rotate upward, while the inner edges slide down. We want a solid, vertical stack, from hands to hips. This is what keeps us aligned, centered, and stable.
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HANDSTAND L-POSE ON YOUR BACK
One of the more illuminating drills is the Handstand L-Pose while lying on the back. It reveals the pelvis’s tendency to rotate, but being on the floor eliminates this variable. We raise one leg, arms overhead, but initiate engagement by pressing the shoulder heads down before the hands touch the floor—this keeps the “hollow armpit” activated. The palms face one another and shoulders extend forward. From here, we tuck the tailbone and press the ribcage downward into a hollow-body position. To increase the challenge, the grounded leg lifts just a centimeter off of the floor. This introduces a strong core demand, and Matt progresses the shape by bending one knee into a half tuck, a helpful intermediary between the L-shape and full vertical inversion.
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HANDSTAND MECHANICS: BUILD CONTROL BEFORE ELEVATION
HANDSTAND L-POSE DRILL
This next drill places the L-Shape upright in what starts in a supported Warrior III -like position. Lifting the heel of the standing leg, we send the shoulders toward the ears, fingers grip the ground, and we begin to rock back and forth, transferring weight from foot to hand. Matt offers these cues: ribs stay back, gaze toward the belly button, and elbows stay straight. We heighten the lifted leg only after establishing push and stability. These subtleties enhance body awareness and reinforce how vital weight transfer and shoulder activation are for going upside down. Matt’s instructions are a gentle nudge to slow down, explore each sensation, and deepen our understanding of the steps before takeoff.
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FROM HANDSTAND WORK TO HANG TIME
As we apply the cues in practice, Matt suggests using a hard surface rather than a yoga mat, since it provides stronger feedback to the hands. Hand placement, grip, and shoulder push are emphasized. We start in a tuck with one knee in toward the chest and push the ground away while jumping and switching legs. This introduces dynamic balance, requiring us to stay sharp. We don’t jump without purpose, we’re driving upward through active, rigid arms and shoulders. The more we push, the more we float. With repetition, the jumps become controlled and prolonged. This “hang time” emerges not from effort alone, but from refined technique. We counteract the body’s urge to collapse and instead amplify the push through upward scapular rotation and finger engagement.
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DELAYED TUCK
In the final progression, we begin working toward a delayed tuck. Timing becomes everything. Anticipation, repetition, and self-cueing help us bend the knees at the right moment to achieve the suspended tuck. It’s a dance between strength and surrender—releasing the rush to be airborne while trusting the mechanics we’ve trained. In Matt’s demonstration, the float occurs as he leans deeply into the hands and allows the shoulders to pass beyond the wrists, giving just the right counterbalance to delay the tuck. With patience and precision, we trade impulsive jumps for fluid, sustained motion. Handstand mechanics become a reflection of how practice teaches us to replace force with finesse.
Uncover more drills and precision in Handstand in Matt’s online 2025 – 10 Day Handstand Cohort.
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Article by Trish Curling
Video Extracted From: Aligned Vinyasa Immersion
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