Wall Drills To Progress In Handstand

Wall Drills to Progress in Handstand

Adho Mukha Vrksasana

WALL DRILLS TO PROGRESS IN HANDSTAND

Wall drills for Handstand are an excellent way to master the mechanics required to go upside down with confidence. Using the wall as a support to refine alignment, rather than as a crutch to neglect technique, is vital to the development of the pose.

In this case, using a wall as a prop may appear to be counterintuitive, but it actually helps us set up a firm foundation for the hands, shoulders, rib cage, and hips. These are the important pieces of the puzzle that will ultimately take us away from the wall and help us to stand tall (on our hands of course).  

It’s true that we learn how to isolate the actions for each body part, but it’s the layering on of each action that locks each piece into place in order for our handstand to become a firm unit.

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PRIORITIZE THE RIB CAGE

Matt teaches us that the area we need to prioritize when it comes to balancing in Handstand is the rib cage. More than just stacking the hips over the shoulders, getting the rib cage vertical first is actually more important because it provides the control required.

One of the wall drills Matt demonstrates to assist with this technique is the Pike Switch with a chair and a number of yoga blocks.

The first step is to push through the shoulders for increased scapular mobility, which will also allow the rib cage to move more freely during the exploration. 

Setting up the lower leg as high as possible (at approximately a 90-degree angle) will assist in alternating the legs with more ease. It’s also important to tap into the sensation of the placement of the ribs between each “switch” of the legs.

WATCH THE VIDEO

WALL DRILLS TO PROGRESS IN HANDSTAND: IMPLEMENT MASTERFUL INVERSION TECHNIQUES

GO FOR THE FLOAT

Just like we layer on each technique within the body, we also layer on more challenges in the wall drills we explore.

Now that we’ve worked on the alignment of the rib cage to create a straight line from the wrists to the shoulders to the hips, we can progress by aiming to find some “float” time in an L-Handstand. Here we take the top foot closer to the wall, but we still work to avoid the common “banana back.” If this is brand new to your practice, you may not be able to avoid tapping the wall with your top foot in the attempt to stay balanced. However, still aim to keep the rib cage vertical, even though the top leg may be on a slight diagonal towards the wall.

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TAKE YOUR FEET TO THE WALL

Matt teaches this drill to help us get a vertical line from the forearms to the rib cage to the knees. The knees are significant here because they are bent, and the feet are actually on the wall. Bending the knees allows us to achieve a vertical line. At this stage, if the legs were straight, we might be more inclined to create more spinal extension.

If we still feel challenged, it may be due to lack of strength in the glutes and core muscles. In the video, Matt lies down in a supine position and then lifts up into a variation of Bridge to help us develop the sensational awareness of glute and core activation simultaneously while taking the arms up overhead. This helps simulate how we would feel in the former wall drill.

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HOP INTO HANDSTAND

Here, we progress into L-Hops by placing one foot on a block that sits directly on the floor. We’re now hopping into balance, with the wall behind us for increased safety. This wall drill can be compared to Kick Switches, the difference being that we keep the same shape and repeat with the same leg for a few rounds, instead of alternating legs. This is a drill to explore once we have found some success with “the float” and of course the stacking of the rib cage. However, there is still room to go further.  

If you’re interested in advancing your practice and/or becoming certified to teach impactful drills like these, then you’ll want to secure your spot in Matt’s upcoming Chromatic Global Training.  

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Article by Trish Curling

Video Extracted From: The Handstand Program 

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Wall Drills To Progress In Handstand

Wall Drills To Progress In Handstand

Wall Drills to Progress in HandstandAdho Mukha VrksasanaWALL DRILLS TO PROGRESS IN HANDSTAND Wall drills for Handstand are an excellent way to master the mechanics required to go upside down with confidence. Using the wall as a support to refine alignment, rather than...

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Accelerated Handstand Development

Accelerated Handstand Development

inversion

ACCELERATED HANDSTAND DEVELOPMENT

Accelerating the process of achieving a goal comes from consistent practice, but it also depends heavily on the information and knowledge we’ve acquired.  

Whether a handstand is part of our regular asana practice or not, there is always room for improvement. Learning and understanding the intricate skill sets are imperative. These are the things that will expedite our development. This doesn’t mean that it will happen fast but that we are equipped with more knowledge to apply to our physical practice, which will enhance our results.  

There are a number of different areas for improvement when it comes to a better handstand, and one that might be overlooked is pelvic alignment. The drills and skills from today’s video provide the roadmap towards the final destination of a well-balanced handstand (pun intended lol).

 

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PELVIC ALIGNMENT TENDENCIES

In an upright position, knowing the difference between anterior and posterior tilt of the pelvis may be easier to negotiate. At other times, it may be harder to determine. In the full class, Matt explains that many of us have the tendency to posteriorly tilt the pelvis when standing, which may be because we are trying to find the least amount of energy exertion by placing more weight into the hip joints. 

The opposite is true when upside down in a handstand. Here, the tendency may be to anteriorly tilt the pelvis (especially if there is a wall behind us). We might feel that the safer place to be is behind us, so the hips move in that direction. This tendency does not serve us in a balanced handstand away from a wall. In this case, the posterior tilt of the pelvis is a must.

WATCH THE VIDEO

ACCELERATED HANDSTAND DEVELOPMENT: POLISHING PELVIC ALIGNMENT

SPHINX TO HOLLOW BODY & CRESENT POSE

To find balance in a handstand off the wall, we must polish our pelvic alignment. We don’t start by trying this in handstand; first, we must strengthen and train the appropriate muscles in other postures and drills. In today’s video, Matt begins by demonstrating 2 ways to implement this strengthening and training in our regular practice.

Sphinx to Hollow Body

In this demonstration, we are guided through 4 phases. It is a very slow and controlled process that not only strengthens the core and upper body, it also helps us understand how to effectively isolate and articulate the movements of the rib cage and pelvis.

Crescent Pose

Here we really learn to train and develop the tucking of the tailbone—the posterior tilt of the pelvis—against straightening and lengthening the back leg. When doing this, we’re activating the quadricep and gluteal muscles at the same time. This will translate well when transitioning upside down.

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HANDSTAND WALL DRILLS

Included in the process of handstand development is the practicing of pelvic alignment when we’re inverted in the context of drills. The handstand drills in today’s video are done against a wall. They provide the opportunity to place our feet on the wall in order to focus on the placement of the pelvis into a posterior-tilt position.

  1. First, without any props, we gain the understanding of how important it is to push through the shoulders to initiate greater movement of the rib cage back, which initiates the desired “straight stacking” of the body. When the action of the posterior tilt takes place, our feet become lighter.
  2. This is the same drill with the use of a chair, which can assist by offering more control to get upright. The exit here can also assist in practicing a safer exit when we start practicing away from a wall.
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PROCESS & TRANSFORMATION

We can never escape going through the processes our bodies need when we’re working towards a given yoga posture, and those processes are always individual. The muscles we need to train, the techniques we need to develop, and the knowledge we need to acquire will vary at different times throughout the process.  

Matt always says that a posture like a handstand is evidence that we have tapped into increased mastery of the understanding of our own bodies. This is the true gift of the process on the journey towards transformation, not achievement.

Matt’s 10-Day Handstand Program works to systematically expose our greatest potential.  

Transform your relationship with handstand by registering today!

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Article by Trish Curling

Videos Extracted From: Handstand & Meditation Immersion

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ONLINE ANATOMY COURSE

  • Accessible, exciting, and easy to learn
  • Anatomy and biomechanics for yoga
  • Appropriate for both teachers and students
  • Learn joint alignment vs pose alignment
  • Demystify yoga poses and transitions
  • Release aches and pains
  • Learn how to avoid common injuries
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Wall Drills to Progress in HandstandAdho Mukha VrksasanaWALL DRILLS TO PROGRESS IN HANDSTAND Wall drills for Handstand are an excellent way to master the mechanics required to go upside down with confidence. Using the wall as a support to refine alignment, rather than...

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Inversion Drills

Inversion Drills

Conquer Fear Through Technique

SIRSASANA

INVERSION DRILLS

Are you the type of person who avoids inversions altogether, or do you eagerly await the option in your yoga classes? 

Matt infuses Chromatic yoga with the philosophies of ancient Tantric yoga to help you acquire a more in-depth understanding of your own thought processes, decision-making, and patterns. One of the ways you can more closely connect to the reason for either a fear (resistance) or an attachment (attraction) regarding inversions is through the conditioning (samskaras) you have about your ability to achieve inversions. This is why the Chromatic approach is always systematic—you’re encouraged to take incremental steps towards your desired actions and new patterning. Utilizing the inversion drills from today’s video is a step towards understanding your relationship with fear and learning about how technique can quiet your resistance towards them.

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IS FEAR WORKING FOR YOU OR AGAINST YOU?

Feling fear about inversions or even inversion drills doesn’t mean that something is wrong with you. You’re not required to change your feelings about them just to work them into your asana practice. That’s not what understanding your relationship to fear means. Fear may be what protects you. You may have an injury or condition that may amplify if you don’t use your good judgment and stay away from inversions. In the full class, Matt discusses how fear is a kind of protective mechanism. It can help you to sort through whether or not the fear is valid. The thing is, it’s up to you to decide if working beyond it will create positive transformation, like confidence and strength, or if it might be more damaging. It’s quite alright to fear something and make a decision not to engage in that particular thing.

THE 5 KLESHAS

How does this relate to the Yoga Sutras? In Tantra of the Yoga Sutras, author Alan Finger states the following:

“The five kleshas are what cause the mind to become engrossed in the belief patterns that create mental disequilibrium and psychological distress.”

Here are the 5 kleshas:

  1. Avidya: Ignorance
  2. Asmita: Ego
  3. Raga: Attachment
  4. Dvesha: Aversion
  5. Abhinivesha: Fear of Death

Finger, Alan. Tantra of the Yoga Sutras. Pg. 42 (Yoga Sutra 2.3)

In this particular class, Matt points to raga and dvesha in relation to inversions and inversion drills. Raga here means that you are keen to practice inversions because, for example, they are familiar, or you already feel confident practicing them. Dvesha, being the opposite, may come from your fear or lack of confidence in your ability.

WATCH THE VIDEO

INVERSION DRILLS: CONQUER THE FEAR THROUGH TECHNIQUE

HEADSTAND DRILLS

Once you look at inversions through the lens of raga and dvesha, Matt explains that there are 2 next steps to follow:

  1. Become aware of what you avoid and attach to.
  2. Practice taking action in the direction of what is appropriate for you.

In headstands, there may already be aspects you are comfortable with. If it’s appropriate for you to move forward, Matt offers techniques that will strengthen your confidence.

First, he makes a connection to Handstand by pointing out that whether you are practicing on your head or your hands, the same principle applies: lean and resist. You lean forward to go upright, but then you must resist to prevent yourself from falling. There are muscle engagements that will help you to find your balance. In the headstand inversion drills, pressing your head back into your hands while pressing your fists and forearms into the ground will allow your neck muscles to become your brakes.

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  • Get certified and highly qualified to teach yoga
  • Yoga Alliance Globally Recognized Certification Program

HANDSTAND DRILLS

In handstands, one of the prominent activations comes from the forearms; this is done by gripping the ground. As in the inversion drills for Headstand, you can make use of other props to find better access to “lean and resist.” Keep in mind that it’s not all about strength. Hamstring flexibility supports your ability to go upright. In these inversion drills, Matt makes great use of blocks and a chair as a way to minimize the amount of hamstring flexibility that is required.  

These tools play a role in the incremental steps he’s talking about. The props are used as a way to mitigate fear. You also become deeply immersed in technique, which creates a rise in ability and confidence. In the video, you’ll see the attention placed on things like the articulation of your feet, your pelvis, and even your distance from the wall. These are important specifics that will transform your experience.

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300 HOUR ONLINE TEACHER TRAINING

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Master your skill set as a teacher through refined techniques, anatomy, biomechanics, sequencing, philosophy, meditation techniques, theming, yoga business, and much more!

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  • Masterful sequencing and verbal delivery
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LISTEN TO THE FEAR

Fear has a loud voice. What you do with it will determine your path. That voice can push you away from something magical that’s waiting for you, or it can provide you with better connection to your own discernment. If the message is to take action, to conquer that fear, then reverse engineer your steps. In your yoga practice, lock into the techniques that quiet the voice of fear and strengthen your ability. If your focus and awareness are placed on those actions rather than the fear, you’ve already conquered it. The better choice may be to not engage, and this is also a powerful option. Either way, you are more confident in your decision-making and your ability to select what’s right for you. Take action to find the right path by registering for Matt’s 15-Hour Chromatic Yoga Immersion.

See you on the mat!

The 200 Hr. Teacher Training: Click Here to See the Next Start Date

The 300 Hr. Advanced Teacher Training: Click Here to See the Next Start Date

Article by Trish Curling

Videos Extracted From: Chromatic Yoga 15-Hour Immersion

lotus pose online yoga classes

ONLINE ANATOMY COURSE

  • Accessible, exciting, and easy to learn
  • Anatomy and biomechanics for yoga
  • Appropriate for both teachers and students
  • Learn joint alignment vs pose alignment
  • Demystify yoga poses and transitions
  • Release aches and pains
  • Learn how to avoid common injuries
  • Caters to all levels with modifications and props
  • 20 hours Continued Education Credits with Yoga Alliance
  • 20 hours toward Chromatic Yoga Certification and 300 Hour
  • Lifetime access

Continue Learning

Achieve Flying Balance

Achieve Flying Balance

Achieve Flying BalanceArm BalanceACHIEVE FLYING BALANCE Achieving an arm balance is quite extraordinary when you consider all that’s involved. And when we refer to an arm balance as a “flying balance,” there is even more involved. The “flying” in Eka Pada...

read more
Virasana

Virasana

VirasanaHip ExtensionVIRASANA For some of us, postures like Virasana and Lotus can be uncomfortable or even painful for the knees, so we avoid them altogether. Depending on what we’re dealing with, this may be the best decision. If there is room for safe exploration,...

read more
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Wall Drills To Progress In Handstand

Wall Drills To Progress In Handstand

Wall Drills to Progress in HandstandAdho Mukha VrksasanaWALL DRILLS TO PROGRESS IN HANDSTAND Wall drills for Handstand are an excellent way to master the mechanics required to go upside down with confidence. Using the wall as a support to refine alignment, rather than...

read more
Mountain Pose Mechanics

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Mountain Pose MechanicstadasanaMOUNTAIN POSE MECHANICS How often do we go back to refine the “basics”?  Revisiting a posture like Mountain Pose (Tadasana) is like pruning a tree. We may have already developed a foundation, but it’s important to continue to clip away...

read more
Plough Pose vs. Shoulder Stand

Plough Pose vs. Shoulder Stand

Plough Pose vs. Shoulder StandhalasanaPLOUGH POSE VS. SHOULDER STAND After we have engaged in postures that strengthen the posterior chain, Plough and Shoulder Stand offer a good stretch for these areas of the body. Plough in particular provides a more extensive...

read more

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  • This field is for validation purposes and should be left unchanged.

KICK UP INTO HANDSTAND

KICK UP INTO

HANDSTAND 

Master 3 Key Actions 

alignment

HANDSTAND—3 KEY ACTIONS

“Squeeze in, turn in, tuck the tail.” These are the 3 key actions for handstands that Matt explains are a must. These may sound like simple cues, and they may even be easy to execute if you’ve already mastered kicking up into a handstand; however, if the pose is brand new and/or you’ve been working at it but still can’t “crack the code,” doing these 3 key actions in addition to all the other steps to prepare yourself may be what you’re missing. Layering on the specific techniques and muscle activations that Matt lays out for you is an essential part of your journey to kicking up into Handstand.  

It’s impossible to skip the steps required when the intent is to kick up into a handstand position. This actually pertains to any posture, but if you’ve practiced with Matt before, you’ll know how much he stresses that it’s the foundations and the repetition of those foundations that really prepare the body for the desired outcomes. When you repeat these actions over and over again, you build the patterns into your body so that when it comes time for more robust movements and shapes, your body will respond.

 

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HANDSTAND PREPARATION 1 & 2

Here are the steps for Handstand Preparation 1: 

  1. Place your hands on the ground
  2. Set up your blocks behind your forearms
  3. Straighten your elbows 
  4. Elevate the scapulae (push the floor away and bring your shoulders up to your ears)
  5. Lift your heels as high as you can

Handstand Preparation 2 is a continuation of the process and includes lifting one leg up.

Here are the steps:

  1. Inner leg lifts up to the sky as high as you can
  2. Look up to the lifted leg; when you do this, it’s common for your weight to shift back. Your weight needs to go forward
  3. Lean forward into your fingers (or more specifically, into the metacarpals)
  4. Lift the bottom heel as high as you can 
  5. Push through the arms (lifting the shoulders up)

What muscle engagements are happening? The gripping of the ground leads to activations in the muscles in the forearms. The elevation of the scapulae leads not only to the activation of the muscles of the shoulders (deltoids) but also to the contraction and use of the trapezius muscles. 

This action of elevating the scapulae also helps you avoid shoulder impingement.

As you lift the shoulders up, you are getting longer through the sides of your body, which creates length and stretch through the latissimus dorsi; however, it’s the upper fibers of the trapezius that you want to strengthen in order for you to rely on the strength there rather than on the stretch in the latissimus dorsi. Additionally, contracting the abdominals will assist in bringing the ribcage back and into better alignment, reducing excessive spinal extension. The action here is to contract the abdominals while expanding. You can do this by pulling your front ribs down as you continue to push strongly through your hands.

WATCH THE VIDEO: KICK UP INTO HANDSTAND

NEXT TRAINING BEGINS FEBRUARY 2024 ENROLLMENT NOW OPEN!
NEXT TRAINING BEGINS FEBRUARY 2024 ENROLLMENT NOW OPEN!

HANDSTAND PREPARATION 2 WITH A CHAIR

Before we dive in, be sure to use a chair that is stable and steady on the ground. Matt can use a rolling chair due to his many years of experience in the posture. This is important, because once you set your hands on the ground, you place 1 foot on the chair prior to the required muscle engagements. The chair should be secure for you.

Once you have 1 leg on the chair, Matt walks you through the same steps as in Handstand Preparation 1 & 2. However, there are some slight differences when you use the chair. Matt cues you to feel as though you are pulling the chair towards you, while the top leg stays away from the wall.

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KICKING UP INTO L-POSE HANDSTAND

When your foot returns to the ground, it’s easy to feel very heavy towards your foot, so leaning forward into the hands is imperative.

Now, Matt stresses that the ability to balance in “L-Pose Handstand” is a must. This means keeping 1 leg low. If you can balance there, this can translate into sending both legs up to the sky. Remember those 3 Key Actions for Handstand from the beginning? 

  1. Squeeze in
  2. Turn in
  3. Tuck the tail

What do these actions mean, and why are they important?

Once you’re in a handstand position, you have to stop the movement of your hips; otherwise, you will be thrown off balance. In this stage of maintaining your balance, squeeze in means squeezing your legs together (activating the adductor and abductor muscles). Turn in means to internally rotate the thighs (activating TFL, pectineus, and hip flexors). Finally, tuck the tail (posterior tilt of the pelvis) helps to activate the hamstrings, the glute muscles, and hip extensors). Doing all of these things will help to stabilize the legs in Handstand.

With all of this, there is still so much more to this posture. Matt’s next immersion, Handstand and Meditation, begins September 7th. Gain deeper insights into what is required of both mind and body by registering for the immersion.

See you on the mat!

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Article by Trish Curling

Video Extracted From: Anatomy Of Arm Balances

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