Open Your Heart in Camel Pose

OPEN YOUR HEART IN

CAMEL POSEĀ 

Layer These Techniques

ustrasana

OPEN YOUR HEART

There’s such a majestic and robust quality when it comes to heart openers in a physical yoga practice. In order to open your heart and gain greater access to a backbend such as Camel Pose, there are specific techniques you can use. Even with their majestic qualities, your experience with heart openers can vary. They can be wonderfully satisfying or extremely difficult. It’s important to be aware of your individual circumstances at the time of moving in and/or out of any posture that calls for extension of the spine. In opening your heart in Camel Pose, there is potential to shift your experience with the posture. The techniques that Matt offers create this possibility to re-pattern what takes place in your body.Ā Ā 

    back bending online yoga and anatomy

    ANATOMY OF THE HEART

    JUNE 2022 Immersion

    • Technique to expand and deepen your backbends
    • Foundations and preparatory postures to set you up for success
    • Anatomy education to prime the nervous system
    • Themes to cultivate the appropriate mindset for heart opening
    • 12 Classes: 6 focused on anatomy, 6 themed for the heart
    • Unlock a wide range of postures including: Bow Pose, Camel, Full Wheel, King Dancer, King Cobra, King Pigeon, and more
    • Lifetime unlimited access to all
    • Attend livestream OR practice the replays any time that’s convenient for you

    $168.00 $148.00

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    BOWING THE SPINE

    If you’ve practiced with Matt before, then you’re very familiar with the terminology ā€œbowing the spineā€ when discussing backbends, or heart openers. Bowing the spine provides an immediate visual that most people can resonate with, and it is helpful in developing an awareness of the experience of what a backbend looks and feels like. You can just imagine the ease of flexibility in the spine, all while maintaining a strength and integrity of the spine during execution.

    Bowing the spine teaches you to move everything forward first, which leads to opening up.

    Matt explains that in a backbend, instead of just leaning back or arching the spine, you want to think about opening the front of the spine. When you learn how to do this accurately, the discs of the spine slide forward, which is really important. If they don’t slide forward, then you’re just pushing the discs down on the back side of the spine, which will put too much pressure on the discs. Adding this pressure can cause many problems, including pain due to the discs bulging and possibly hitting a nerve, which can radiate in multiple directions of the body and cause issues in other areas. Layering on techniques both provides a better awareness of what is actually taking place in your body and promotes safer execution in heart openers.

    WATCH THE VIDEO: CAMEL POSE: SHOULDER TECHNIQUE

    NEXT TRAINING BEGINS FEBRUARY 2024 ENROLLMENT NOW OPEN!
    NEXT TRAINING BEGINS FEBRUARY 2024 ENROLLMENT NOW OPEN!

    THE CHROMATIC WAY

    Matt’s development of the Chromatic approach in yoga involves not just the layering on of postures in a sequence but indeed the layering on of techniques within each posture in order to maximize benefit and to minimize injury and pain. When you start to approach your yoga practice with this methodical mindset, the body eventually becomes free and aware to create these actions with less thought.

    LAYERING POSTURES TO PREPARE

    Matt frequently uses postures like Cobra Pose, where he teaches the fundamentals of how to ā€œbow the spine.ā€ You will also find that he uses Chair Pose in this layering process.Ā Ā 

    Within these postures, we build the pattern in the body of actions such as retracting the shoulder blades while not only taking the chest/heart forward but also lifting the rib cage upwards. Getting comfortable with these actions activates muscles like the rhomboids (during the retraction) and the abdominals (when lifting the rib cage) and also develops the neuromuscular patterning in your body so that these actions feel more natural and become a more automatic response when preparing for and executing backbends.

    back bending online yoga and anatomy

    ANATOMY OF THE HEART

    JUNE 2022 Immersion

    • Technique to expand and deepen your backbends
    • Foundations and preparatory postures to set you up for success
    • Anatomy education to prime the nervous system
    • Themes to cultivate the appropriate mindset for heart opening
    • 12 Classes: 6 focused on anatomy, 6 themed for the heart
    • Unlock a wide range of postures including: Bow Pose, Camel, Full Wheel, King Dancer, King Cobra, King Pigeon, and more
    • Lifetime unlimited access to all
    • Attend livestream OR practice the replays any time that’s convenient for you

    $168.00 $148.00

    MORE INFORMATION

     

    KEY ACTIONS FOR CAMEL POSE ENTRY

    Even before considering the traditional execution of Camel Pose, Matt takes you through what he often refers to as ā€œCamel Pose Preparationā€ or ā€œHalf Camel Pose.ā€ When preparing, it’s not just about entry into the pose; the ā€œexitingā€ of the posture is also extremely important.

    In today’s video, Matt provides the key steps and layering process when entering Camel Pose Preparation from the left side:

    1. Tuck your toes onto your mat with feet wider than your hips, so that when you sit back, you can access your heel with your left hand
    2. Retract your left shoulder (*Pay close attention here, as you will not just be drawing your left shoulder blade in towards your midline. You first lift your shoulder up, then draw it in towards the midline, and finally, send the bottom tip of your shoulder blade up towards the sky)
    3. Next in the layering process, after this action of retraction, place your left palm on your heel with the thumb facing out
    4. Push the right rib cage forward and upĀ 
    5. Place yourĀ right hand behind your head. Alternatively, Matt advises using your right hand to pick up your right ribs (*this will encourage an arched position in your low back, which is the desired positioning)
    6. Layer on a push downward into your left heel with your hand, encouraging that lift of the right side rib cage further up to the sky
    7. Finally, look down towards your left foot

    A SAFE EXIT FROM CAMEL POSE

    As I mentioned before, Matt emphasizes the exit just as much as the entrance. It’s important to note that we don’t change anything. We try to maintain the arch in the spine for as long as possible in order the spine time to adjust to the new shape (relengthening once out of the posture).

    Here are the steps:

    1. Ā Your hips slowly go back towards your heels, all while keeping the chest lifted
    2. Ā As you sit back down onto your feet, you can slowly reduce the arch in your spine until it is in a more lengthened position
    3. Take the steps to enter into ā€œCamel Pose Preparationā€ on the other side.

    Taking this Chromatic approach keeps you in the physical practice: You are steered more towards awareness of your individual experience within each posture. Exploring Camel Pose Preparation also allows you to experience what is happening on each side of your body. This helps you step closer to what your body actually needs. Do you need to draw more awareness to the retraction? The arch of the spine? Sending your rib cage forward and up? You are simultaneously the student and the teacher within your own body. Matt guides your yoga practice with the layering of actions so that you can be fully within the experience of your own body.

    Taking this approach means that you will broaden your knowledge, expand your practice, and most definitely open your heart!

    See you on the mat!

    The 200 Hr. Teacher Training: Click Here to See The Next Start Date

    The 300 Hr. Advanced Teacher Training: Click Here to See The Next Start Date

    Article byĀ Trish Curling

    Video Extracted From: Heart Openers: Yoga Backbends Immersion

    CHOOSE YOUR PATH

    NEXT TRAINING BEGINS FEBRUARY 2024 ENROLLMENT NOW OPEN!
    NEXT TRAINING BEGINS FEBRUARY 2024 ENROLLMENT NOW OPEN!

    Continue Learning

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    Take Flight in Crow Pose

    TAKE FLIGHT IN CROW POSE

    Strengthen Your Wrists

    KAKASANA

    WHAT IS THE SECRET TO TAKING FLIGHT IN CROW POSE?

    In order to take flight in Crow Pose, it may seem obvious that a great deal of emphasis needs to be placed on your hands, but what often happens is that a great deal of attention is placed elsewhere.

    When you think about Crow Pose—Bakasana—you may first think about what you need to do to either strengthen and/or activate the core. This is true, but how often do you think about what is necessary for your hands, wrists, and forearms? This part of your body plays a vital role not only in whether you will find enough strength to sustain the posture for any length of time but also in protecting your wrists overall.Ā Ā 

    A great deal of time is spent in wrist extension in yoga. Most commonly, you see varying degrees of this in postures like the following:Ā 

    • Variations of Plank/VasisthasanaĀ 
    • Chaturanga DandasanaĀ 
    • Fallen Angel (Devaduuta Panna Asana)
    • Variations of Crow (Bakasana)Ā 

    Matt talks a lot about starting postures from the ground up, and in Bakasana, this couldn’t be more true. You are balancing your entire body weight on your hands/wrists, so creating a solid foundation with your hands/wrists/forearms is non-negotiable. There are also actions in the hands that are mimicked/duplicated in the rest of your body as you layer on each action in the posture. You will see how everything is so closely related in Matt’s demonstration.

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      THE BALANCE BETWEEN WRIST FLEXORS AND EXTENSORS

      When you understand how your body is working in each posture, it becomes a lot easier to see exactly how much everything is connected and how that both influences and supports the rest of your body parts in activating and responding the way you would like and need them to for stronger execution.

      Because you spend a lot of time in wrist extension in yoga, the wrist extensors (which are located on the back side of the forearms) are often shortened, and the flexors of the wrist (located on the front of the forearms) are in a more lengthened position. It’s imperative that these muscles be strong enough to, as Matt puts it, ā€œapply the brakesā€ in arm balances.Ā 

      Sending your weight forward is required in Crow Pose, so the strength of the ā€œopposing action,ā€ or creating an eccentric contraction of the flexors of the wrist to almost pull you back (that ā€œapplication of the brakesā€ if you will), is in essence doing the work of keeping you balanced in the pose. Without this opposition or strength of the wrist flexors, you would just continue to go forward and then downward with gravity and eventually fall.

      So how do you activate and strengthen the flexors of the wrist? If you’ve practiced with Matt before, you’ll know that he often refers to creating a ā€œsuction cuppingā€ of space, or a Hasta Bandha in the hands (an energetic hollow-like quality in the center of the palms).Ā 

      ā€œHasta Bandha (Hand Lock) assists energy up through the soft center of your palms to bring strength and stability to your arms and upper body.ā€

      Ekhar, Esther, The Bandha Approach You Haven’t Tried—That Could Change Everything, Yoga Journal, February 28, 2018

      FOCUS ON YOUR HANDS

      In Crow Pose and other arm balances like it, the more you lean forward, the more you are required to grip the fingers into the ground in order to achieve the appropriate activation.

      Let’s look at some of the anatomy first.

      Your carpals are all of the tiny bones at the wrist (base of the palm), and the carpal tunnels are the space for the nerves to go through.

      When it comes to the hands in Crow Pose and other arm balances, we want to be lighter in the carpals (with less pressure, pulled away from the ground, due to the nerve lines that are present). In opposition to this, we want to get stronger and push into the ground at the head of the metacarpals (this is the surface/place you might describe as the knuckles or where the fingers [phalanges]Ā meet the upper portion of the palm.)

      You achieve this action by drawing the pinky and the thumb towards each other and down into the ground at the same time. This action can also be described as adduction (pulling in towards the midline of the palm). At the same time, the 3 fingers (pad of the index, middle, and pinky) are also pulling towards the palm of the hand.

      This is creating a generous amount of activation and therefore strengthening of the flexors of the wrist (flexor digitorum profundus and superficialis). Although there are many other muscles involved (both flexors and extensors) that are co-activating, these are 2 that are great to keep in mind because the flexor digitorum profundus attaches all the way down to the fingers. This muscle also works in conjunction with the flexor carpi radialis and the flexor digitorum superficialis (as previously mentioned).Ā Ā 

      This fact demonstrates how essential it is, for your practice, to get into deeper awareness and connection with your body in an anatomical sense. This reinforces that nothing works in isolation and that one part of the body, one action, creates a domino effect for other activations, movements, and strengthening to occur.

      WATCH THE VIDEO: STRENGTHEN YOUR WRISTS FOR CROW POSE

      NEXT TRAINING BEGINS FEBRUARY 2024 ENROLLMENT NOW OPEN!
      NEXT TRAINING BEGINS FEBRUARY 2024 ENROLLMENT NOW OPEN!

      STRENGTHEN YOUR WRISTS IN CROW POSE WITH BLOCKS

      Let’s now take the deeper awareness and solid foundation of the hands and create the domino effect with the rest of the body in Crow Pose. In today’s video, Matt demonstrates how helpful blocks are when it comes to strengthening the flexors of the wrist. If flying is not your thing, or it’s just not your thing within a specific practice, you can still work on strengthening the flexors of the wrist by using a set of yoga blocks under your feet and leaning your bodyweight for more extension in the wrists.

      Here are the steps Matt outlines in today’s video:

      1. Place your feet up on the blocks
      2. Take your hands out in front, grip the ground with fingers (using all of the actions previously outlined)Ā 
      3. Place knees outside of the arms and squeeze into arms (mimicking the action of the pinky and thumb drawing towards one another)
      4. Lift bum up to sky
      5. Lean bodyweight forward (increased wrist extension and eccentric contraction of the flexors)
      6. *Now bring your awareness back to the hands; play with the fingers—grip the ground, press through metacarpals, lean forward, and keep strong in the flexors of the wristĀ 
      7. Bonus is to lift the heels of feet towards bum to fly
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      THE BIG PICTURE—TAKE FLIGHT IN CROW POSE

      1. Ā Squeeze knees into the arms
      2. Ā Protract the shoulder bladesĀ 
      3. Ā Grip fingers into the ground

      Inviting in what may be some new actions to this posture, or to any other posture where the wrists are in extension in your physical yoga practice, helps to create a new muscular pattern. Repeating these actions will help your brain allow you to more easily default to these actions and therefore find the strength, ease, and lightness that’s desired in any arm balance.

        PARALLELS BETWEEN CROW POSE & HANDSTAND

        The beautiful thing about creating these patterns in your body and practicing the proper mechanics in Crow Pose is that these same mechanics translate quite well into other arm balances.Ā 

        If you take a look at my previous article,Ā  Kick Up Into Handstand, you’ll see exactly how Matt guides you through the same preparation for the wrists and forearms. You’ll see the importance of gripping the ground, the same alignment for the forearms, and the negotiation of the shift in weight required to balance (the balance of strength between the wrist flexors and extensors)—the same actions and techniques that help you to take flight in Crow Pose are the same fundamentals that help you see success and that assist with the crossover from one arm balance to another.

        Matt’s next Immersion, Handstand and Meditation, offers you an incredible opportunity to work on these fundamentals time and time again. You can also dive deeper into these teachings in his next 200 & 300 Hour Teacher Trainings.

          CHOOSE YOUR PATH

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          KICK UP INTO HANDSTAND

          KICK UP INTO

          HANDSTANDĀ 

          Master 3 Key ActionsĀ 

          alignment

          HANDSTAND—3 KEY ACTIONS

          ā€œSqueeze in, turn in, tuck the tail.ā€ These are the 3 key actions for handstands that Matt explains are a must. These may sound like simple cues, and they may even be easy to execute if you’ve already mastered kicking up into a handstand; however, if the pose is brand new and/or you’ve been working at it but still can’t ā€œcrack the code,ā€ doing these 3 key actions in addition to all the other steps to prepare yourself may be what you’re missing. Layering on the specific techniques and muscle activations that Matt lays out for you is an essential part of your journey to kicking up into Handstand.Ā Ā 

          It’s impossible to skip the steps required when the intent is to kick up into a handstand position. This actually pertains to any posture, but if you’ve practiced with Matt before, you’ll know how much he stresses that it’s the foundations and the repetition of those foundations that really prepare the body for the desired outcomes. When you repeat these actions over and over again, you build the patterns into your body so that when it comes time for more robust movements and shapes, your body will respond.

           

          Handstand and meditation online yoga classes

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          BREAK THROUGH MENTAL & PHYSICAL BLOCKS

          • Learn the most effective drills to safely build your Handstand
          • Practice essential meditation techniques to break through mental barriers and build confidence
          • Improve focus and breath support right side up and upside down
          • Build strength and the necessary skills for balancing Handstand
          • 12 classes: All levels appropriate
          • Lifetime unlimited access to all
          • Attend livestream OR practice the replays any time that’s convenient for you

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          HANDSTAND PREPARATION 1 & 2

          Here are the steps for Handstand Preparation 1:Ā 

          1. Place your hands on the ground
          2. Set up your blocks behind your forearms
          3. Straighten your elbowsĀ 
          4. Elevate the scapulae (push the floor away and bring your shoulders up to your ears)
          5. Lift your heels as high as you can

          Handstand Preparation 2 is a continuation of the process and includes lifting one leg up.

          Here are the steps:

          1. Inner leg lifts up to the sky as high as you can
          2. Look up to the lifted leg; when you do this, it’s common for your weight to shift back. Your weight needs to go forward
          3. Lean forward into your fingers (or more specifically, into the metacarpals)
          4. Lift the bottom heel as high as you canĀ 
          5. Push through the arms (lifting the shoulders up)

          What muscle engagements are happening? The gripping of the ground leads to activations in the muscles in the forearms. The elevation of the scapulae leads not only to the activation of the muscles of the shoulders (deltoids) but also to the contraction and use of the trapezius muscles.Ā 

          This action of elevating the scapulae also helps you avoid shoulder impingement.

          As you lift the shoulders up, you are getting longer through the sides of your body, which creates length and stretch through the latissimus dorsi; however, it’s the upper fibers of the trapezius that you want to strengthen in order for you to rely on the strength there rather than on the stretch in the latissimus dorsi. Additionally, contracting the abdominals will assist in bringing the ribcage back and into better alignment, reducing excessive spinal extension. The action here is to contract the abdominals while expanding. You can do this by pulling your front ribs down as you continue to push strongly through your hands.

          WATCH THE VIDEO: KICK UP INTO HANDSTAND

          NEXT TRAINING BEGINS FEBRUARY 2024 ENROLLMENT NOW OPEN!
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          HANDSTAND PREPARATION 2 WITH A CHAIR

          Before we dive in, be sure to use a chair that is stable and steady on the ground. Matt can use a rolling chair due to his many years of experience in the posture. This is important, because once you set your hands on the ground, you place 1 foot on the chair prior to the required muscle engagements. The chair should be secure for you.

          Once you have 1 leg on the chair, Matt walks you through the same steps as in Handstand Preparation 1 & 2. However, there are some slight differences when you use the chair. Matt cues you to feel as though you are pulling the chair towards you, while the top leg stays away from the wall.

          online classes for anatomy of arm balances

          ANATOMY OF ARM BALANCES

          MAY 2022 Immersion

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          • Foundational and advanced arm balance techniques
          • Visualize your movements internally
          • Improve balance and proprioception
          • Sensation-based practices
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          • Improve wrist, core, and shoulder strength
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          KICKING UP INTO L-POSE HANDSTAND

          When your foot returns to the ground, it’s easy to feel very heavy towards your foot, so leaning forward into the hands is imperative.

          Now, Matt stresses that the ability to balance in ā€œL-Pose Handstandā€ is a must. This means keeping 1 leg low. If you can balance there, this can translate into sending both legs up to the sky. Remember those 3 Key Actions for Handstand from the beginning?Ā 

          1. Squeeze in
          2. Turn in
          3. Tuck the tail

          What do these actions mean, and why are they important?

          Once you’re in a handstand position, you have to stop the movement of your hips; otherwise, you will be thrown off balance. In this stage of maintaining your balance, squeeze in means squeezing your legs together (activating the adductor and abductor muscles). Turn inĀ means to internally rotate the thighs (activating TFL, pectineus, and hip flexors). Finally, tuck the tail (posterior tilt of the pelvis) helps to activate the hamstrings, the glute muscles, and hip extensors). Doing all of these things will help to stabilize the legs in Handstand.

          With all of this, there is still so much more to this posture. Matt’s next immersion, Handstand and Meditation, begins September 7th. Gain deeper insights into what is required of both mind and body by registering for the immersion.

          See you on the mat!

          The 200 Hr. Teacher Training: Click Here to See the Next Start Date

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          Article byĀ Trish Curling

          Video Extracted From: Anatomy Of Arm Balances

          CHOOSE YOUR PATH

          NEXT TRAINING BEGINS FEBRUARY 2024 ENROLLMENT NOW OPEN!
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          EKA PADA BAKASANA II

          EKA PADA BAKASANA II

          The Essence of Push & Pull

          THE GUNAS

          THE GUNAS—The essence of push & pull

          We’ve all experienced the essence of push and pull in one way or another. Its presence is evident all around and within us. We all experience the rise and fall, the movement of our thoughts in our minds (the vritti). These forces are present during our various emotions, when we’re making decisions, during conflict, when we are challenging ourselves physically and emotionally. Push and pull is undeniable in nature and the environment all around us… You get it. It’s really everywhere. We also experience it in our yoga practice. In the Yoga Sutras, these forces are explained as the Gunas.Ā 

          To be more specific, Alan Finger, in Tantra of the Yoga Sutras, explains Yoga Sutra 1.16 (Tat param purusa khyater gunavaitrsnyam) in the following way:Ā 

          ā€œThe three gunas are rajas, tamas, and sattva. They are considered to be the primary sources of nature that are responsible for all of the change and movement that we experience in life.ā€Ā 

          Finger, Alan. Tantra of the Yoga Sutras, Shambhala Publications, 2018. (pg. 26)

          What’s incredible is that we will see how this also applies to our physical yoga practice. Matt breaks down the biomechanics of Eka Pada Bakasana II and shows us how the essence of push and pull exists in both the mind and the body.

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            RAJAS, TAMAS, & SATTVA

            Finger explains how rajas is a more outward, vigorous force, while tamas is a more inward, softer, more restful force. While these 2 energies sit at opposite ends from one another, it’s sattva that sits in the middle and/or is considered the balance between the two. Alan Finger explains that sattva is where we find stillness.

            Being that these forces are ever present and that the circumstances of our lives are constantly shifting, it’s easy to find ourselves leaning more towards one side of the spectrum than the other. It’s our awareness that helps us to recognize when we have gone ā€œtoo farā€ over to one side. Now, it’s super important to understand that if we adopt the more contemporary interpretation of the three gunas, then we understand that all of these forces are necessary and very human parts of life. It’s not ā€œbadā€ to experience one or the other, but it’s your awareness and deeper connection, or knowing of yourself, that helps you experience these states of being without any attachment.Ā 

            When in a more rajasic state, we are in a place of taking action; we are ā€œhandling our business,ā€ so to speak. There is no struggle to get out of bed, we might engage in a regular asana practice, we eagerly run through tasks at home and/or at work, etc. On the other side, in a more tamasic state, we surrender to rest, and we tend to go more inward. In this state, we allow ourselves time to replenish and renew.

            If we adopt this more contemporary point of view, there seems to be a comfort and safety present. There is no need to reject what already exists within and around us. Noticing, without judgment, these forces of nature may help us move and flow more freely between each state when necessary. This may be viewed as actually being in a more sattvic state because we are actually experiencing flow, a steady mind, and therefore stillness and balance.Ā Ā 

            HOW DOES THIS APPLY TO YOUR PHYSICAL YOGA PRACTICE?

            Matt teaches a class in the Heart Module in his 300 Hr. Teacher Training called ā€œPush & Pull: Rajas and Tamas. Crow/Half Crow Half Titibhasanaā€ (Eka Bakasana II). There he says, ā€œSattva is how we feel when the push and pull of rajas and tamas come into a state of equanimity. This leads quite nicely into how we can understand the push and pull in our asana practice as well. In this sense, it’s the actions and activations we take in our bodies.”

            Before we explore this, it’s also essential to understand that even though the gunas are natural forces of nature, we can still find ourselves spending too much time on one end of the spectrum. In this class, Matt explains that when we are way out of balance, a more rajasic state can produce feelings of anger, impatience, even anxiety. If we’re spending too much time in a tamasic state, this is where we may not be attending to necessary tasks and there is loss of energy and lack of motivation.

            Just like our yoga practice, these emotions, actions, or lack of actions are not who we are; they are actually opportunities. They are messages telling us something. They’re sending us messages that something needs to shift. This can be recognized as the development of our discernment. Now this is key, this is actually the juicy part! This collision of philosophy and physical practice is where we really unleash both our emotional and physical potential.

            In today’s video, Matt demonstrates the required push and pull in Eka Pada Bakasana II (Half Crow / Half Titibhasana). We witness the importance of what Matt says: ā€œharnessing the activity of the mind (rajas) to move toward sattva.ā€ This is done with focus and intention. There can only be well-placed effort, continuous well-placed effort, in order to achieve this.

            WATCH THE VIDEO: EKA PADA BAKASANA II

            NEXT TRAINING BEGINS FEBRUARY 2024 ENROLLMENT NOW OPEN!
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            EKA PADA BAKASANA II (HALF CROW, HALF TITIBHASANA)

            When it comes to the execution of Eka Pada Bakasana II, the push comes from the upper body, while the pull is in the lower body. There must be equal effort within these opposite actions. This can be interpreted as a ā€œsattvic state in the body.ā€ What I mean by opportunities is that when we feel something ā€œoffā€Ā  in these actions, we must utilize our discernment. Maybe there is not enough pull/adduction of the legs and/or not enough rounding (protraction) of the upper back due to lack of push with the hands/upper body. Even neglecting the internal rotation of the extended leg can throw things off. This may lead to a loss of stability in the posture, taking us out of balance.Ā 

            We can see more deeply how this is the practice; this is yoga. The process of harnessing the mind to focus and find balance and equanimity in Eka Pada Bakasana II (Half Crow/Half Titibhasana) is completely aligned with our process to move towards sattva in our emotional body. There can be moments of frustration, of uncertainty, but again, these are all beautiful messages for us to receive. They are exquisite opportunities for us to explore and experience without attachment.

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              Take the opportunity to dive deeper into these teachings and the potential of your physical body in Matt’s upcoming 200 & 300 Hr. Teacher Trainings.
              See you on the mat!

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            Downward Dog Shoulder Alignment

            DOWNWARD DOG

            SHOULDER ALIGNMENTĀ 

            How Yoga Props Enhance Your Downward Dog

            ADHO MUKHA

            ALIGNMENT QUESTIONS IN DOWNWARD-FACING DOG

            How many times have you done Downward-Facing Dog in your yoga practice? I can’t answer that either. It’s a posture that shows up in a yoga class quite often. It just becomes part of the foundation of a physical practice after a while. When you started your practice, you may have been told that it’s a resting posture, but it doesn’t always feel like that, does it? It takes some time for it to feel ā€œrightā€ or even ā€œcomfortable.ā€ You’ve most likely navigated through things like the following:

            Should my heels touch the mat?

            How far apart should my hands be from one another?

            What about the direction of my hands?

            How far apart should my hands be from my feet?

            Should my wrists feel this way?

            Is it ok to bend my knees?

            This list goes on.Ā 

            Over time, you start to develop a deeper understanding of the pose and to develop and integrate patterns in your body that feel ā€œright.ā€

            As you continue to learn and grow in your practice, you may also reach a point where you begin to wonder if these patterns are actually serving you. This wondering may come from pain and/or injuries that arise, or simply from exposure to different practices and/or teachers. What often happens is that once you get comfortable with ā€œthe way you’ve always done it,ā€ the challenge may be to consider a different way and/or to add on some new actions to actually improve not only the posture but also the health of your joint placement/alignment in the posture.Ā Ā 

            It is important, however, to be open to the process of ā€œunlearningā€ and the process of developing new patterns. The important perspective to take when you encounter times like this in your yoga practice is to understand that it is all a part of growth and your specific journey to learn more about your own body. It’s actually an opportunity. Approaching your practice with an openness to opportunity often leads to the unraveling and to access to new breakthroughs in your practice.Ā 

            SHOULDER REVELATION

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            WHAT IS SHOULDER IMPINGEMENT?

            ā€œShoulder impingement is a common condition believed to contribute to the development or progression of rotator cuff disease.ā€Ā 

            Ludewig, Paula M, and Jonathan P Braman. ā€œShoulder impingement: biomechanical considerations in rehabilitation.ā€ Manual therapy vol. 16,1 (2011): 33-9. doi:10.1016/j.math.2010.08.004

            Shoulder impingement and/or a pinching sensation in the shoulders is a common complaint when it comes to the execution of Downward-Facing Dog. You might feel this in early attempts to do the posture or after repeating patterns like drawing your shoulders away from your ears, which may cause pain or irritation in the posture.

            In the video, Matt explains quite nicely by saying that when you draw the scapulae (shoulder blades) away from your ears, the upper arm bone (humerus) collides with the acromion process. This action and collision is what creates the impingement, or ā€œpinching.ā€ This pinching can create pain or discomfort or may even lead to injury. From a visual standpoint, how do you know this is happening? Matt explains that you can see what looks like a ā€œdimpleā€ in the shoulder when the humerus is pulling down away from your ears. For further information for proper alignment in Downward Dog, you can also check out Matt’s blog 3 STEPS TO AVOID SHOULDER IMPINGEMENT IN DOWNWARD-FACING DOG.

            WATCH THE VIDEO: DOWNWARD-DOG SHOULDER ALIGNMENT

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            USING A ROLLED UP YOGA MAT FOR DOWNWARD-FACING DOG

            Rolling up a yoga mat and using it as an additional prop provides excellent feedback and even assists you in the execution of the steps to set up Downward-Facing Dog. It helps to create new patterns in your body to avoid shoulder impingement in this foundational posture.

            Ā Matt details exactly how to use your mat by following these steps:

            1. Place a rolled-up mat horizontally across the top of your mat.
            2. Place your hands in front of the rolled-up mat.
            3. Move backward into Downward Dog (bend your knees and send your tailbone to the sky).
            4. Lifting them up, move your armpits forward toward your hands.Ā 

            What’s happening here is that this action will activate the rhomboids, and the upper trapezius will activate from the lift of the armpits. This will also support the movement of the top of the shoulder blades going inward while the bottom of the scapula are protracting.

            This step also provides a great opportunity to check in and get some feedback within your body. If you’re putting a lot of pressure into the yoga mat, then you know you’re dropping the armpits down and are causing the sub-acromion pinch. Matt offers the cue here of reaching through the outer lines of the arms so that the scapulae upwardly rotate.

            Ā ā€œDuring normal motion, the scapulae will upwardly rotate and posteriorly tilt on the thorax during elevation of the arm in flexion, abduction, scapular plane abduction, or unrestricted overhead reaching.ā€

            Ā Ludewig, Paula M, and Jonathan P Braman. ā€œShoulder impingement: biomechanical considerations in rehabilitation.ā€ Manual therapy vol. 16,1 (2011): 33-9. doi:10.1016/j.math.2010.08.004

            5. Externally rotate the humerus (biceps face forward, and pinky edge of the hand pulls bottom portion of scapula around).

            After these actions are put into place, you may feel like the inside edge of your hand is pulling up, so articulating the next step is important.

            6. Turn your palms down (the radioulnar joint pronates the forearm, and this is a separate action that happens specifically at the forearm, separately from the action of the external rotation of the humerus).

            7. Turn hands out a little more and wider (this also helps to create less chance of shoulder impingement).

            8. Heels of the hands are lifted (again, creating that lightness and less touch against the yoga mat).Ā 

            Not only will this create less impingement, it will also strengthen the flexors of the wrist, which will feel better and allow you to feel more safe.

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            SIMPLIFY THE STEPS FOR MASTERING DOWNWARD-DOG SHOULDER ALIGNMENT

            In the video, Matt offers what’s called a ā€œMockā€ or ā€œModifiedā€ Downward Dog on your knees. Here are the steps:

            1. Lift armpitsĀ 
            2. Lengthen — shoulders to the earsĀ 
            3. Go up and back
            4. Externally rotate the arm bones (biceps face forward)
            5. Lift heels of the hands (carpal tunnels)

            Integrating these new actions may feel quite awkward once you start to gradually implement them. They may not feel quite ā€œright.ā€ This is that process of ā€œunlearningā€ and creating new neuromuscular patterns in your body.Ā  Eventually they will start to feel more ā€œcomfortable,ā€ and you will notice the change in the development of your strength. Setting this foundation will help to support your journey in other postures in which it is necessary to utilize strength and balance from your shoulders, forearms, and hands.

            If you enjoy diving deeper into the potential of your body and of the yoga practice as a whole, you can deepen your studies in Matt’s 200 and 300 Hr. Trainings.Ā Ā 

            CLICK ON THE LINKS BELOW FOR MORE DETAILS.

            The 200 Hr. Teacher Training: Click Here to See the Next Start Date

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            Article byĀ Trish Curling

            Video Extracted From: 300 Hr. Training

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